If the Two Ronnies were cast as the Gravediggers in Shakespeare’s Hamlet re-written by Samuel Beckett you might have something like Ridiculusmus’s “Alas! Poor Yorick”. Mixing the mundane with the magical; moments of banal idiocy are interspersed with ones of cinematic elegance to an underscore of groans, grunts and the odd Shakespearean aside. Flipping the Shakespearean original tragedy into an existential clown piece, Ridiculusmus cast aside chaos and mistaken murders to unearth a beautiful and oddly moving meditation on work, faith and existence, with the prevaricating protagonist offered in a refreshingly contemporary light.